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West Coast Rap dominated the hip-hop scene for the middle section of the '90s, making gangsta rap into a popular phenomenon and establishing Dr. Dre as one of the most influential figures in rap history. Chemdraw serial number crack 1. Still, even if Dre's patented G-funk defined the West Coast sound and style for many, California's rap scene was a great deal more diverse. Up until the mid- to late '80s, West Coast rap mostly imitated East Coast party rap, already considered old-school in its place of origin; however, both Los Angeles and the Bay Area soon proved to be fertile pastures. The former produced the landmark proto-gangsta recordings of Ice-T, the hugely influential, Latino-tinged stoner funk of Cypress Hill, and the warped comedy of the Pharcyde; the Bay Area countered with the pimp-obsessed rhymes of Too $hort, the P-Funk-inspired, good-humored Digital Underground, and the pop breakthrough of MC Hammer. In short, West Coast rap became as eclectic and difficult to pigeonhole as East Coast rap.

However, N.W.A.' S 1989 gangsta-rap landmark Straight Outta Compton set the stage for a more identifiable West Coast style -- its sound was hard-hitting and minimalistic, its lyrics alternating between violent hedonism and righteously angry social commentary. Upon leaving N.W.A., Ice Cube made solo records which maintained that lyrical tone while employing noisy, Public Enemy-style production; his bandmate Dr. Dre discovered Snoop Doggy Dogg, signed to Death Row Records, and at the end of 1992 released The Chronic, the album that defined G-funk and spawned legions of imitators. The Chronic's gangsta hedonism and production style -- whiny synthesizers, rolling P-Funk beats, and deep, slow grooves -- provided the blueprint that made Death Row the biggest hip-hop label of the early '90s, scoring hits by Snoop, Warren G., Tha Dogg Pound, and more. Controversial gangsta star 2Pac joined the label in late 1995 and became a crossover superstar with the Dre duet 'California Love,' and Coolio had taken a more pop-oriented version of the West Coast sound to the top of the charts earlier in the year with 'Gangsta's Paradise.' However, West Coast dominance soon crumbled -- 2Pac was murdered in 1996, Dre jumped ship, and Death Row CEO Suge Knight was jailed over business practices.

By the end of the '90s, hip-hop's focus had turned back to the East Coast and to the emerging South. • • • • West Coast Rap Album Highlights.

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William DeVaughn – 1974 – Be Thankful For What You Got Read Reviews, Buy the Album or Download the Album for free Here is something really special for the weekend. Groovy Emmanuel sent me this vinyl and let’s see what Dusty Groove America says: One of the undisputed masterpieces LPs of 70s soul! William De Vaughn may never be remembered for anything else – and the poor guy will always be mistaken for Curtis Mayfield by record shoppers everywhere – but he really out-Curtised Curtis on the super-dope original version of “Be Thankful For What You Got”, one of those righteous soul tunes that everybody knows, everybody loves, but which was recorded by an artist that nobody can remember. Get this one, and you’ll remember William De Vaughn as a genius for the rest of your life – not only for the full 7-minute version of “Be Thankful”,which has a great conga breakdown in the middle, but also for other original tunes like “Blood is Thicker than Water”, “You Can Do It”, and “Give the Little Man a Great Big Hand”.

Very righteous, and with a deep soul groove that was hardly matched by other albums of the era! This is a @320 vinyl rip of the original Roxbury Records LP including covers. Tracks A1 Give The Little Man A Great Big Hand (5:35) A2 We Are His Children (5:14) A3 Blood Is Thicker Than Water (7:19) A4 Kiss And Make Up (2:48) B1 Be Thankful For What You Got (7:12) B2 Sing A Love Song (3:26) B3 You Can Do It (3:38) B4 Something’s Being Done (3:44) Review by Groovy Emmanuel There is a load of great records by great artists over the years, but what about those who shined once in a lifetime and later on almost disappeared? Such is the story of this 1974 record by William DeVaughn. That and the thing that creativity is the mother of invention. In 1972 William, a Washington D.C. Native, was a salaried government employee, was 24 years old and the man could sing and more important could write songs.